When everything can be generated, content multiplies while differences disappear. Brands, spaces and media compete constantly for attention, become interchangeable and are quickly forgotten. Spread across countless platforms, their parts rarely connect. Screens reduce experience to sight and sound, while the other senses go unused.

Yet identity extends beyond the visual: once learned, color, sound, scent, material and shape each trigger recognition in memory. On their own, they are shared by many; orchestrated together, they form a signature that points to one source only. Congruent input across the senses raises presence and memory more than added visual detail, and channels coordinated around one perceptual signature produce a combined effect larger than the sum of their parts.

I design
how senses
interact.

I connect art, design, perception and futures research with almost 30 years of design for broadcasting, brands, cultural events, science and film. From what people see to how human experience develops across senses, time, memory, expectation and context.

I develop new approaches to design thinking that connect disciplines, challenge established assumptions and address emerging signals.

My work ranges from composing multisensory experiences for cultural engagement and sensory branding to researching how sensory information, including scent, emotion and materiality, can be translated, encoded and communicated physically and digitally.